Press | September 18, 2014

Melissa Cooke: Huffington Post

THE HUFFINGTON POST 10 Insanely Detailed Drawings With One Foot In Reality And The Other In Our Dreams By Priscilla Frank 9/18/2014 Since the early days of The Huffington Post Arts & Culture page we’ve known one thing to be true: people love their hyperrealism. The demanding artistic style has tickled the eyes of many a reader... read more
Press | August 19, 2014

Jenny Morgan in Juxtapoz

Jenny Morgan, one of the artists in Stranger Than Fiction, our upcoming group exhibition (Sept 6—Oct 4, 2014) was recently interviewed for the cover story of Juxtapoz’s September 2014 issue. Here’s an excerpt: —- Adding something fresh and necessary to the genre of portraiture may seem impossible, but in that realm, Jenny Morgan is crushing... read more
Press | August 12, 2014

Complex video on Cruel Summer

In this video by Complex Magazine, Roger Gastman discusses Cruel Summer, the group exhibition he curated this month with Jonathan LeVine (in his teletubby costume), over some pizza.
Press | June 14, 2014

Jesse Hazelip feature in Juxtapoz

Judith Supine interviewed fellow artist Jesse Hazelip for a feature in the July 2014 issue of Juxtapoz Magazine. http://www.juxtapoz.com/current/on-sale-now-july-2014-with-shepard-fairey-and-more
Press | May 15, 2014

Art Truancy on CoolHunting

Celebrating 20 Years of Juxtapoz We speak with Editor in Chief, Evan Pricco, ahead of the publication’s anniversary show, Art Truancy by Katie Olsen in Culture on May 15, 2014 Founded by artists and collectors back in 1994, Juxtapoz magazine has remained a significant publication and a true champion of the contemporary art world—and those... read more
Press | May 13, 2014

Art Truancy on BloombergTV

  Video clip of BloombergTV interview with Evan Pricco, Editor of Juxtapoz Magazine, in advance of ArtTruancy, a group exhibition celebrating the 20th Anniversary of Juxtapoz. http://www.bloomberg.com/video/juxtapoz-the-bible-of-underground-art-E9_6qEBBSmSYNhuxqZxmnQ.html
Press | May 8, 2014

Jonathan LeVine in Juxtapoz

Carlo McCormick interviewed Jonathan LeVine for the June 2014 issue of Juxtapoz Magazine in advance of Art Truancy, a group exhibition celebrating the 20th Anniversary of Juxtapoz. Full text of the interview can be found here: http://www.juxtapoz.com/vault/jonathan-levine-carlo-mccormick-talk-art-truancy-celebrating-20-years-of-juxtapoz-magazine  
Press | April 21, 2014

Dan Witz video on ANIMAL

Meet Dan Witz, Street Art Pioneer By Andy Cush | April 21, 2014 In the late 1970s, Dan Witz began painting hummingbirds on walls around downtown Manhattan. The work — created illegally, with acrylic paint and brushes — so predated any notion of “street art” that the term hadn’t even been codified yet. It was... read more
Press | April 17, 2014

TimeOutNY reviews Dan Witz

  "NY Hardcore" Time Out Critic’s Pick Posted: April 9, 2014   Dan Witz, "Vision of Disorder" — Image courtesy of Jonathan LeVine Gallery If you’re not one for water lilies and starry nights, don’t forget that oil paint can also yield some seriously tough stuff. This on-canvas series by Brooklyn-based punk rocker turned artist... read more
Press | April 2, 2014

Dan Witz in The Village Voice

Dan Witz is painfully familiar with the sweat-stained violence of New York hardcore punk concerts. Attending shows in Brooklyn and Long Island by the bands Agnostic Front and Vision of Disorder, Witz has suffered black eyes, a broken finger, and various cuts and bruises. He once had a camera slammed into his face. He started... read more
Press | February 21, 2014

ARTINFO interviews Gary Taxali

It’s easy to mistake Gary Taxali for a foreigner, arriving from some other time, some other place. His illustration style feels distantly familiar, like a font or a character clipped from a generation you haven’t lived. His work goes exhibited in the United States and overseas, or tied into commercial exploits in such natural and... read more
Press | January 15, 2014

Complex features Jesse Hazelip

When I visited Jonathan LeVine Gallery the day before the opening of Jesse Hazelip’s “Love Lock: Cycle of Violence,” the gallery was abuzz with pre-installation fervor. Framed ballpoint drawings lay, meticulous arranged, on the gallery floor, later to be made vertical. Other works—printed wheatpaste cutouts on bold stenciled backgrounds and reclaimed wood panels from an abandoned prison in Upstate New... read more